Skip to case study
Aryan ChaubeyNNW / Media IntelligenceField record · 2025—26
← NNW platform

NNW Media Production Suite · Oct 2025 – Present

Move captured footage through one visible production path.

Editing, synchronization, review, and publishing tools positioned between raw broadcast media and platform-ready output.

Ownership
Sole designer, engineer, and operator
Primary users
Editors and media operators who need one controlled path from broadcast footage to reviewed, destination-specific deliverables.
Film 01 · 35 sec · silent

Four views from the live production suite: the media library, vertical editor, multi-POV workflow, and social publisher.

The problem

The work starts before the interface.

Short-form delivery requires reframing, review, synchronization, rendering, and channel-specific output. Moving those tasks across disconnected tools makes provenance and handoff state difficult to follow.

9:16vertical editing targetLive editor
Multi-POVevent alignmentSimultaneous broadcasts
4publishing destinationsYouTube · TikTok · Instagram · X

Production interface

What the live product makes visible.

Each frame below is a direct capture of the operating product. The annotations describe the workflow decision the view represents.

NNW Studio library showing public media assets and production actions
Figure 01

Begin with one media library

The production Studio keeps captured assets and their next editing actions together instead of scattering files across handoff tools.

  • The media record remains the anchor for each downstream task.
  • Editors can open the right workflow from the asset itself.
NNW vertical editor with a real public clip in a 9 by 16 preview and editing controls
Figure 02

Reframe for vertical delivery

The shipped editor turns horizontal broadcast footage into a vertical composition with crop and layout controls around the real preview.

  • The target composition stays visible while settings change.
  • Heavy media work is handed to a dedicated render worker.
NNW multi-POV tool showing grouped channels and controls for synchronizing event footage
Figure 03

Align simultaneous points of view

The multi-POV surface groups source channels around one event so editors can establish a common timeline before rendering.

  • Independent sources remain identifiable throughout alignment.
  • Shared event context reduces manual timeline reconstruction.
NNW social publisher showing platform selection, source input, and production queue
Figure 04

Finish in the publishing queue

The final surface brings destination choice, generated copy, review state, and delivery status into one operating view.

  • Platform-specific copy is reviewed alongside its source asset.
  • No connected-account credentials are exposed in this record.

System boundary

A readable flow, not a deployment map.

This is the level of architecture useful to a product reviewer: responsibilities and handoffs, without schemas, endpoints, thresholds, or topology.

  1. Captured media
  2. Edit and align
  3. Review workspace
  4. Render worker
  5. Publishing queue

Scope

What the system owns.

  1. 01

    Reframes horizontal broadcast footage for vertical short-form output.

  2. 02

    Supports a copyright and editorial review point before distribution.

  3. 03

    Aligns footage from multiple simultaneous points of view.

  4. 04

    Coordinates local media-rendering workers with cloud publishing workflows.

Results

What changed.

  • Connected editing, review, synchronization, rendering, and publishing state.
  • Kept compute-heavy media work on purpose-built local workers.
  • Produced destination-specific outputs from one production workflow.

Technology

Built with.

FFmpeg, Python, TypeScript, Cloudflare Tunnel, Oracle Cloud